Persuasion

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A prescription for poetry

In Jane Austen’s novel Persuasion, Anne Elliot prescribes a greater dose of prose for a young navy lieutenant who has been grieving the loss of his fiancée by drowning himself in melancholy poems. 

For myself and my fellow Northerners, though, I’m writing the reverse prescription – more poetry in a season that grows alarmingly prosaic in the winter months. Although taking refuge in a volume of written poems might be one way to do this, I’m thinking more about something I read in The Forgotten Language, a new book by Father Michael Rennier.  In it, Father Rennier writes about recovering the poetry of the Catholic Mass, which he says is “the perfection of the Church’s poetic skill,” and he introduces his subject by sharing his great love of poetry but also his belief that “poetics is the art of living.” 

He tells how his six children have taught him to “pay attention to the poetic shape of our lives” and paints a beautiful picture of his toddler lingering over a generic tree and then carrying a leaf dropped from its limbs in one hand while holding her father’s hand with the other as stones she has collected jingle in her pocket. 

A young fall visitor to our woods reflects Father Rennier’s story about his toddler’s leaf.

“I’ve missed so much in my need to talk and fuss, my arrogance and busyness,” Father Rennier  writes. “Now I make up for lost time. With my children, I look at airplanes in the sky. We look at mommy ducks and baby ducks, bird nests stuffed with mottled blue eggs, and fish flopping and shaking off drops of emerald-green water before we release them with a triumphant cry back into the lake. I love it all.”  

During an exceedingly gray, dull Midwestern winter that has offered us precious little to soothe the senses, I’ve taken to wandering about and searching for something lovely, snapping photos along the way, and finding solace in unexpected beauty.

My finds so far:

A nearly perfect dried Oak leaf that I retrieved and have been keeping in my office as a reminder that fall left me a remnant of her seasonal show,

patches of fungus artistically arranged on tree bark,

a dappled sheen on the pond that suggests fairies might have scattered dust on it overnight,

Common Milkweed pods spilling out their silky floss,

and the seedheads on Blue Vervain proving that, like elegant octogenarians possessed of good posture, they can still exude style in the winter of their lives. 

Father Rennier says his children have revealed to him that “creation is wildly rampant with God’s love, that it is gratuitously flung from His hand, shattering into shards of diamond. He is waiting for me and you, His little children, to look, to notice the sparkle under our feet and stoop to investigate.” 

Reading his book during long winter nights next to the wood stove has rekindled my own quest to look for the poetic and to be a child who notices and investigates, regardless of the season or the setting. Truly, the poetry of our lives is always there, waiting to be discovered. If you are in a gray place geographically or in your circumstances, maybe this would be a good time to dust off your poetic lens and look for something that speaks beauty into your soul. You might be surprised to find a strand of poetry right under your feet.

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Lessons in solitude from Jane Austen

“ . . . It required a long application of solitude and reflection to recover her.” — From Persuasion by Jane Austen.

One of the things I have noticed and come to appreciate about some of Jane Austen’s best-known characters is their habit of taking time alone to think about things. After unsettling encounters with other people, intriguing letters, and jarring experiences, they recognize the need for personal space to sort out their feelings and thoughts.P1010295

Some of them never discuss these matters with another soul – especially when bound by a promise of confidence – but in the course of “solitude and reflection” they review the details and determine how they will respond, what they will convey to others by their behavior, and the significance of what has been said or done.

While re-reading a few of my favorite Austen novels this winter, it has struck me that this practice might be useful in a world that urges us to tell all – and to do so now. What if, instead of rushing to the phone or computer to announce anything and everything, we applied a bit of solitude and reflection to the matters at hand?

When Austen’s characters do that, they benefit in bounds. In Pride and Prejudice, no one was closer to Elizabeth Bennet than her beloved sister, Jane. But though she wishes Jane were with her, she is alone when she receives Mr. Darcy’s letter after refusing his offer of marriage. Left to read and ponder his words on her own, Elizabeth realizes that she was wrong in her prejudice against the man she rejected. She may have reached the same conclusion in an email exchange or conversation with Jane, but the point is that something happened in her silent reflection. Without another’s voice or opinion to soothe or advise, she came face-to-face with herself.

Reflection like that takes time – time that stretches out on long walks or in extended periods of sitting without a phone to tap or earbuds to adjust. It is found in the “be still” admonition of the Bible that ends with “and know that I am God,” suggesting there is something or Someone we cannot know unless and until we are still and removed from human interaction.

With so many ready ways to contact others in our technologically rich society, it can be difficult to resist the impulse to reach for a communications device when we are upset, troubled, or confused. And even if we pause to reflect alone, we may grow impatienIMG_1702t and feel like we are wasting time when an answer, resolution, or insight doesn’t emerge as quickly as we would like.

Sometimes, we have to trust in the process to do its work, and provide us with healing, clarity, or just a time of rest that gives us the strength to carry on.

In Elizabeth Gaskell’s North and South. Margaret Hale sits “long hours upon the beach” after a series of traumas that include the loss of a dear friend and both her parents. Those who pass by wonder what she finds to look at and her family worries about her silence at dinner. Yet, Gaskell tells us, her time by the sea helped her see things in perspective. “She was soothed without knowing how or why.”

When we pause to sit, whether before an altar or by the water, or take a long walk without the filter of another’s thoughts, things have a way of putting themselves right, if only we can be still enough to wait.